Singer and performer Jhuma Limbu is in the news for the tune ‘Kafle’ from the film ‘Oonko Sweeter’. This melody is right now trending on TikTok.

A modern melody ‘Ae Thuli’ sung and composed by Jhuma Limbu has been discharged. This tune is included in the film ‘Zar’, which is planned to be discharged on April 26.

The generation group discharged this melody on Thursday, and Pawan Giri has joined Jhuma in singing. The essayist of this tune is Look Saud.

This tune based on nearby old stories carries the feeling of cherish. The melody tells the story of a soft-hearted sweetheart who sits at domestic and stresses approximately her darling in Lahore, considering that he might be enduring from the sun, water, and river.

The generation group has expressed that the melody is the primary story of the film. The film’s lead on-screen characters, saint Saugat Malla and courageous woman Geetanjali Thapa, are included in the video of the song.

The film generation group has expressed that ‘Jar’ is based on a real-life occurrence that took put in Nepali society in the 1800s. The film is based on the chronicled story of author Indra Bahadur Rai.

The film stars Anup Bikram Shahi in the lead part along with Saugat and Geetanjali. The film, created in collaboration with Trust Reels, LA Seven Cirtus, Baral Studio and Kiwa Preparations, has been shot in Sikkim. The film is coordinated by Phurba Tshering Lama.

In 2025, famous Nepali society artist and ethnomusicologist Jhuma Limbu discharged her most recent melodic creation titled ‘Ae Thuli’, a profoundly passionate and socially resounding tune that rapidly captured the hearts of audience members over Nepal and beyond.

‘Ae Thuli’ is more than fair a melody—it’s a strong account that celebrates ladylike quality, legacy, and the versatility of Nepali ladies. With her signature mix of conventional rebellious and sincere vocals, Jhuma Limbu once once more grandstands her interesting capacity to breathe life into innate stories through song.

The verses of ‘Ae Thuli’ bring out wistfulness and pride, depicting the travel of a youthful woman—referred to as Thuli, a term of charm for an senior girl or girl—from blamelessness to development, from the slopes to the heart of the community. Sponsored by conventional eastern Himalayan rebellious and cadenced layers of Nepali society, the track is a wonderful conservation of dialect and identity.

Listeners have lauded the melody not as it were for its song but too for its visual narrating, with the music video grasping dynamic town life, complicated outfits, and dazzling normal backdrops, fortifying Limbu’s commitment to social conservation through music.

In a world inclining progressively toward advanced pop sounds, Jhuma Limbu’s ‘Ae Thuli’ stands as a effective update of the abundance and enthusiastic profundity found in Nepal’s conventional roots.

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